One comes across the most interesting trolls over at the IMDB boards. Lately, some idiot at the Dollhouse board as been ranting to anyone who will hear, about how characters the likes of Echo or Buffy are nothing more than unrealistic fembots, that can only be liked by masochistic males who get their kicks out of seeing some skinny girl beating the living crap out of dudes twice their size. The woman is an idiot, and a wordy one at that, but she gave me the idea of making this post, so it isn’t a total loss. I, for one, happen to like skinny girls who can beat the living crap out of dudes twice their size. And so this is my list of top seven ass-kicking female characters in television, in no particular order. Note that this may not always be a physical ass per se, but rather a metaphorical one (or as the theater lady would put it, the idea of an ass).
Buffy (Buffy, the Vampire Slayer)
Buffy: "It's my first day! I was afraid that I was gonna be behind in all my classes, that I wouldn't make any friends, that I would have last month's hair. I didn't think there'd be vampires on campus."
Many years and a large cult following after it began, I think people new to the Buffyverse tend to miss how deeply ironic the whole show is. We’re talking about a show whose main character is called Buffy, so you think people would take the hint. Whedon took the the brainless cheerleader, the blonde valley girl who always got killed off first in horror movies, and he had her battle the forces of darkness. And despite the alarming frequency with which Buffy got killed, every week she was back to fight something bigger and scarier. And as her tombstone read, she saved the world. A lot.
Xena (Xena, Warrior Princess)
Ares: "Sometimes the best man for the job is a woman."
One could think that the scanty outfit would undermine the empowerment message. One would be wrong. Two years before Buffy, villain turned hero Xena was already bumping heads (mortal, and on occasion immortal) in a world of ancient monsters and less than reasonable deities. And granted, the props and special effects are less than believable and the whole thing screams 90s, but in this list, she’s still the most bad ass of them all.
River Tam (Firefly)
River: “Also, I could kill you with my brain”
It’s easy to suspect that, most of the time, River isn’t all there. That’s bound to happen when an underground government agency plays pin the tail on the donkey with one’s brain. But as far as little psychic killing machines go, she just lends an air of effortless grace to the whole thing.
Zoe Washburne (Firefly)
Alliance Commander: "You fought with Captain Reynolds in the war?"
Zoe: "Fought with a lot of people in the war."
Alliance Commander: "And your husband?"
Zoe: "Fight with him sometimes, too."
It’s no accident that four out of seven are Whedonverse characters. Dear old Joss just has a knack for creating strong female characters. Zoe, Mal’s second in command, is dependable, sensible and steady as a rock. She knows how to get things done and if, in the process, she has to twist some arms, well, that’s all in a day’s work. Plus, it takes someone extra grounded to put up with all the crazy going around in that ship.
Cameron (Terminator – The Sarah Connor Chronicles)
Cameron: "Goodbye, bird. There's a 51% chance I wouldn't have killed you"
While it may just seem like I want an excuse to post Summer Glau photographs (and who knows where my twisted brain may take me), one can’t talk about ass-kicking women and not mention Cameron. Now, she actually is a fembot, so the crazy lady wasn’t all off. She’s a cyborg sent back from the future to help protect the future leader of humanity in the war against the machines. Sounds familiar? And despite, or perhaps because of, a complete lack of understanding of human emotions, Cameron still manages to draw together a much larger fan base than all the other characters put together. And I’ll be royally pissed off if Fox doesn’t renew TSCC. *shakes imaginary fist* On the other hand, if they don’t, maybe Glau can drift over to Dollhouse, which would be rather nice. If they don’t cancel that too, that is. Damn you, Fox executives. *shakes imaginary fist, once again*
Adelle DeWitt (Dollhouse)
Dominic: "You played a good hand, ma'am."
Adelle: "I played a very bad hand very well. There is a distinction."
At first glance, one could mistake Ms DeWitt for yet another stuffy British character. But one would not be mistaken for long. For all her high-class act and flawless accent, there’s more to Adelle than meets the eye. The CEO of an underground, possibly (and most likely) evil organization, Adelle is ruthless and efficient, and wears power as if it were a mantle. But still waters run deep, as we’ve had good cause to learn, and like the Dollhouse itself, one is left to wonder how much still lies beneath the surface. Also, there’s something unbelievably hot about a woman who can take a bullet without so much as flinching.
Veronica Mars (Veronica Mars)
Veronica: “Well, actually, despite popular opinion you really can't beat the truth out of someone.”
Clever, sharp-tongued and witty, Veronica isn’t a Whedon character, but she might as well have been. Seen as uncompromising by some and as downright bitchy by others, this headstrong blond will stop at nothing to get to the bottom of something, and if she must step on some toes along the way, tough luck. Queen of sardonic smiles and sly remarks, Veronica puts a new twist in Sherlock-type characters.